How many times have I seen this sign and ignored it? Or worse, “No Swimming”? Maybe four or five; I remember them all. Lake Cochiti, a cement plant, Seville’s Guadalquivir River… They come to mind now because I spend a lot of time thinking about risk–what it is, how one decides whether or not to take it, what it used to be. The only logic of these past weeks has been a kind of dream logic. I am floating; I am holding my breath; I am a sunken stone. When I scream, no sound comes out. You don’t think to notice the wrist unadorned by a hospital bracelet, the toe without a tag.
Every day when I walk, crest a hill, and am greeted by a gust of wind, I like to imagine it blowing through me like a gutted house. My body becomes skeletal–all bones and no flesh–sacred as a ruin. Did James Spader just ride past me on a bicycle? I can’t tell because he was wearing a mask.
My six-year-old tells me to feed her stuffed swan Kung Pao chicken. The roses already look ragged, but this is the most beautiful spring I’ve experienced. The scent of baking bread emanates from one house; fabric softener, from another. I try not to take my daughter’s new preference for being read to by a robot personally. Everyone I see houses panic in their heart. The sirens are faint enough to be mistaken for birdsong.
I teach my daughter how to draw a star. I also neglect her. I cannot remember if I took my medicine. I play tag. I’m not very good at tag; I don’t like it. My daughter really wants me to watch Pup Academy. I don’t want to watch Pup Academy. I want to barter away my soul by scrolling through my phone, instead. I find nothing there that I need.
I keep opening my day-planner to March, even though it’s May, because that is when time stopped for us. I don’t know how to keep a record of these days, but it seems important to try.